Love it And Leave it

FROM ELSEWHERE by Geoff Batchen

It’s the sheer number of them that gets to you. All these Australian artists, working elsewhere. One of them says that there are enough Australian musicians working in Europe to form an orchestra. An orchestra of hyphenated Australians. And then there’s the gallery owner in Beijing, the set designer in London, the photographer in Paris, the pianist in Berlin, the composer in Los Angeles, the viola player in New York, the dancer in Geneva, the tuba player in Leipzig. Why have they all left? More to the point, why haven’t they come back to Australia?â€Ļ

essay-Geoffrey Batchen
essay-Magda Keaney

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